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» Location : Western Ghats, Kerala
» Dedicated To : Lord Ayyappa
» Altitude : 914 m Above Sea Level
» Main Festival : Sabarimala Temple Festival
Temples in Kerala
» Guruvayoor Temple
» Kalpathy Temple
» Sabarimala Temple
» Thriprayar Temple
more Temples in South India
Sabarimala is a renowned pilgrim centre atop the rugged hills of the Western Ghats. This holy shrine is dedicated to Lord Ayyappa. The sanctum sanctoram nestles 914 m above sea level, amidst the virgin forest wilderness of the Western Ghats.
The Village of Sabarimala is named after Shabari who did severe penance in order to meet Rama who granted her wish for her devotion and faith during her penance.
The main pilgrimage is undertaken between November and January. Regardless of caste, creed, colour, they wear black dhotis and carry on their heads, bundles containing traditional offerings like coconut filled with ghee, camphor and rice.
The Main Festival
Sabarimala is one of the most important Hindu temples of Kerala. The Sabarimala Temple festival is celebrated in honour of Lord Ayyapan who is revered by all in India.
There are two main pujas called the Mandal Puja and the Makara Sankranti Puja, which are celebrated from November to Middle of January in Kerala, during which time the devotees perform austerities and penance.
The Penance
Devotees undergo rigorous penance and austere living before starting on the pilgrimage. Devotees wear black 'dhotis' and are bare-chested as they prepare for the pilgrimage to Sabarimala.
The temple is at the top of the Neeli hills and the devotees have to climb the treacherous route carrying their meagre provision in a bundle called "Iru Mudi" meaning in "two folds".
The distance from the base of the hill to the top takes about three days to cover and the most important part of the pilgrimage are the final 18 steps, which lead to the temple. The temple dome is covered with gold and the devotees break the coconuts before climbing the steps.
An Unmatched Instance of Religious Tolerance
Opposite the main temple complex, there is a smaller temple for the Muslim god called Wavar, who is an ally of Lord Ayyapa.
Signifying religious tolerance and harmony of the olden days, the devotees pay obeisance to Lord Wavar, on their way to the main temple. After the devotees complete their pujas and offerings, they return to the base of the hill and return to their homes.
The people making the pilgrimage for the first time are known as "Kanni Swamys" and the person leading the group is known as 'Guru Swamy' or the lead person of a team who is incharge of all the rituals.
Devotees take a ritual bath, while climbing up the hill in the holy river Pamba, which is believed to absolve one's sins.
Restricted Entry At The Festival Time
Only young girls who have not attained womanhood and old women who have reached menopause are allowed to worship at this time.
The men must vow to walk bare foot, not cut their nails and hair, sleep on the floor and practise absolute abstinence during the period of their penance.
How to Get There
Transportation is available upto Pamba, from where one has to travel a distance of 5 kms on foot. Devotees undertake rigorous penance, ritualistic vows and fasts before they visit the temple.
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» Location : 75-Km From Chennai, Tamil Nadu
» Called : Religious Capital Of South India
» Famous Temples In Kanchipuram : Kamakshi Amman Temple, Varadaraja Temple, Kailashanathar Temple, Ekambareshwar Temple, Kumara Kottam, Ulahalanda Perumal Temple
» Important Festivals Celebrated : Brahmotsavam -Varadaraja Temple In May; Garuda Sevai- Varadaraja Temple In June; Float Festival -Varadaraja Temple In February And November; Kamakshi Ammam Festival - February; Mahashivaratri Festival - Kailashanatha Temple In February; Panguni Uthiram -Ekambareshwara Temple In March-April.
Tamilnadu Pilgrimage
» Kanchipuram
» Kanyakumari
» Madurai
» Mahabalipuram
» Rameshwaram
more South India Pilgrimage
Land Of Thousand Temples
Kanchipuram is a small, rural town about 75-km from Chennai in the state of Tamil Nadu. With the Sankara Mutt acting as the hub of Hindu activities and the temples, Kanchipuram is one of the most highly visited pilgrimage spots in India, and can rightfully be called the "Religious Capital of South India".
Kanchipuram was under the Pallavas from the 6th to 8th century AD and later became the citadel of the Cholas, Vijayanagar Kings, the Muslim and the British. It has been a center of Tamil learning, cultural and religious background for centuries. Kanchipuram has magnificent temples of unique architectural beauty bearing eloquent testimony to its glorious Dravidian heritage.
All the religious cities in India support one of the two sects in Hinduism - Vaishnavism and Shaivism, but Kanchipuram has blended itself equally to both the sects, dividing itself into Vishnu Kanchi, surrounding the Varadaraja Temple, and Shiva Kanchi, surrounding the Ekambareshwar (also spelt as Ekambareshwa) Temple, while the Kamakshi Amman Temple stands in between as a place of Shakti worship.
Kailashanathar Temple
Dedicated to Lord Shiva, Kailashanathar (also spelt as Kailashnatha) is one of the earliest temples built by the Pallava ruler Rajasimha Pallava and was completed by his son, Mahendra Varma Pallava in the 8th century AD. It is the oldest structure in Kanchipuram and the finest example of Pallava architecture in South India. The temple is situated among several low-roofed houses just over 1-km west of the town center.
Of all the temples in India, no other edifice has been so elaborately filled with all the 64 aspects of Lord Shiva. The temple is unique in its architecture and is viewed more as an architectural wonder than as a holy place. Hence, it is never crowded with locals. But, once in a year during Shivaratri festival large crowds visit the temple and there could be hours of waiting in long queues.
Kamakshi Amman Temple
India has three main cities where the Goddess Shakti is worshipped. Kanchipuram holds the most important rank among the three. In the same order, the three places are Kanchipuram, where the Goddess Kamakshi is worshipped, Madurai, where the Goddess Meenakshi is worshipped, and Kashi, where the deity is 'Visaalakshi'.
The Kamakshi Amman temple is the hub of all religious activities in Kanchipuram. The temple is also in closer control of the Shankara Mutt, unlike the other temples, which are governed either by the Department of Archeology, Government of India, or the Hindu Temples Department of the Tamil Nadu Government. The kings of the Chola Empire built the temple in 14th century AD.
The main tower over the sanctum (Vimanam) of the temple is gold plated. Also of significance is the Golden Chariot in this temple. The Golden Chariot is taken in a procession around the temple on Friday evenings around 7.00 p.m. This temple also features an Art Gallery with pictures depicting the history of Sri Adishankaracharya and the Shankara Mutt.
Kumara Kottam
Kumara Kottam is located in between the Kamakshi and Ekambareshwar temples in the Somaskanda formation in the town of Kanchipuram. It is a well-visited temple with two Prakarams and a complete pantheon of Parivara Devatas enshrined in their respective shrines.
In the sanctum, Muruga is in a seated pose. Valli, Deivayani are absent here, but their festival idols are kept here. In accordance with the function of Creation he has assumed, his right arm is in Abaya pose, the upper hand holds the rosary, and the lower left arm is on the thigh in Katyavailambita pose with the left arm holding the Kamandalam. The posture is also called "Brahma Chattam".
Here only honey is used for ablutions. When one comes out after worshipping the main deity, one can see the festival idols. In the front part of the temple in the mirror room one can see the marble figure of Ramalinga Swamigal.
Ekambareshwar Temple
Ekambareshwar temple dedicated to Lord Shiva, is one of the largest temples in Kanchipuram, spreading over an area of 12.14 hectares. This ancient temple is surrounded by a huge stonewall built in the early 16th century during the days of the Vijayanagar Empire.
Ekambareshwar temple is of hoary antiquity, beginning as a small fane, it has grown over the centuries into a large one with innumerable shrines, Mandapams, Gopurams and Tanks. It is considered to be one of the most ancient temples in India and has been in existence even prior to 600 AD. It enshrines many traditions.
Varadaraja Temple
The Varadaraja temple is one of the important shrines of Sri Vaishnavites, also known as "Hastigiri" and is one of the celebrated Vaishnava Divya Desams, located in Vishnu Kanchi or "the Little Kanchi". Originally it was known as "Attiyuran". The main deity here is Varadaraja Perumal in a standing posture facing west and the Lord here is also known as "Devaraja", "Pranatharthihara", "Deva Perumal", "Athiyooran" and "Perarulalan".
Varadaraja temple with superb art has a magnificent history, which is associated with Sri Ramanuja, who used to serve here. Many miracles are said to have occurred. It was with his ministry that the temple, then already several centuries old, began to gain fame.
Festivals Celebrated In Kanchipuram
Some of the important festivals celebrated in Kanchipuram are the Brahmotsavam -Varadaraja temple in May; Garuda Sevai- Varadaraja temple in June; Float festival -Varadaraja temple in February and November; Kamakshi Ammam Festival - February; Mahashivaratri festival - Kailashanatha temple in February; Panguni Uthiram -Ekambareshwara temple in March-April.
Ulahalanda Perumal Temple
Ulahalanda Perumal temple, situated about half a kilometre from the centre of the town near Kamakshi Amman temple is one of the oldest temples in Kanchipuram. The deity Ulahalanda Perumal in this temple represents the "Vamana Roopam", an incarnation of Lord Vishnu taken to save the Devas from the Demon king Mahabali. The deity Ulahalanda Perumal is depicted by a huge image of about 35 feet high.
Places to stay in Kanchipuram
Accommodation is available at the moderate class hotels, lodges and choultries in Kanchipuram.
How to Get There
Air : Chennai is the nearest airport to Kanchipuram.
Rail : Trains for Kanchipuram are available from Chennai, Chengalpattu, Tirupati, and Bangalore.
Road : Kanchipuram is 75-km away from Chennai and is well connected by a network of roads. There are frequent buses from the city to Chennai, Bangalore and other places. For local transportation bicycles can be hired from the shops near the bus stand. Cycle Rickshaws and auto rickshaws are also available on hire to move in and around the city.
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» Location : In Cuddalore District, Tamil Nadu
» Also Known As : Kuttalur
» Hosts : An Ancient Seaport
» Main Attractions : Cuddalore Port, Kattu Mannargudi, Tiruppapuliyur
Tamilnadu Pilgrimage
» Kanchipuram
» Kanyakumari
» Madurai
» Mahabalipuram
» Rameshwaram
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Kanyakumari - The Southern most Land tip of India
Kanyakumari (also spelt as Kanniyakumari) district is bounded by Tirunelveli district in the north and northeast, by Kerala state in the northwest and confluence of Arabian Sea and Indian Ocean in the west and south. The coastline is almost regular except for some points of land projecting into the sea at Cape Comorin. Kanyakumari is the district headquarters of the district of the same name.
It's Name
Kannyakumari has been named after the Goddess Kannyakumari Amman who is the popular deity of the area. Legend has it that the Goddess Parvati in one of her incarnations as Devi Kanniya did penance on one of the rocks of this land's end to obtain the hand of Lord Shiva.
Pilgrim Rites Performed
Pilgrimage rites include bathing at Pitru and Matru Tirtha, two rocks over which a monument honouring Swami Vivekananda, a Hindu religious leader, was built in 1970.
The History Of Kanyakumari
Kanniyakumari district, once known as "The Granary of Travancore" lies at the southwestern part of Indian peninsula. It was in Travancore for a long time and then merged with Tamil Nadu in 1956 under the State Linguistic Reorganisation Act.
Prime Attractions of Kanyakumari
§ Temple Of Goddess Bhagavathi : Few temples in India are more picturesquely located than that of Goddess Bhagavathi in Kannyakumari. It stands near where three oceans meet: the Indian Ocean, the Bay of Bengal and the Arabian Sea.
In its early form the temple seems to have been built by the first Pandyas. The Nayaks expanded it later. There are three Prakaras. The image of the Goddess in the sanctum is marvellous in its serenity and beneficence. She carries a necklace in Her right hand. The eastern gate, facing the Bay of Bengal is opened only five times a year.
§ Swami Vivekananda Rock Memorial : On the evening of December 25, 1892, Swami Vivekananda who had come to Kannyakumari on pilgrimage swam to the rock and spent the whole night there in deep meditation. He then resolved to decide himself to the service of the Motherland and to spread the message of Vedanta. Next year he attended the Parliament of Religions in Chicago, an event of seminal importance in the modern history of Hinduism. To commemorate his visit to the rock a superb memorial has been erected. It attracts thousands of visitors.
§ Kumari Amman Temple : Kumari Amman Temple is dedicated to Parvati as Devi Kanya, the Virgin Goddess who did penance to obtain the hand of Lord Shiva.
§ The Temple At Suchindram : Tradition connects the Kannyakumari temple with that in Suchindram (13-km from Kanyakumari). This is a fine, large fane, with a beautiful tank. It is one of the few temples in the country where the Trinity, Brahma, Vishnu and Isvara, are worshipped. The Linga, named "Sthanumalaya", is in three parts; the top represents Lord Shiva, the middle Lord Vishnu, and the base Lord Brahma. "Sthanu" is a name of Shiva, "Mal" of Vishnu, and "Ayan" of Brahma.
Fairs and Festivals of Kanyakumari
§ Cape Festival : Kanyakumari, also known as Cape Comorin is located at the southern most tip of India, where the Bay of Bengal, Indian Ocean and the Arabian Sea meet. A dip in the ocean here is considered holy, but the sea is rough here and not fit for bathing. This is the only place in India, where the sunset and moonrise can be viewed simultaneously on a full moon day.
The Vivekananda memorial set amidst the sea is a place known to give mental emancipation. The Cape festival is celebrated on a large scale for three days at Kanyakumari. The festival is marked by a series of cultural programs.
Places to stay in Kanyakumari
Varied accommodation options varying from luxurious to economic hotels, lodges, Devasthanam cottages are available for tourists in Kanyakumari.
How to Get There
Air : The nearest airport is at Thiruvananthapuram (80-km), which is well connected with national and International flights. From Thiruvananthapuram one can take a taxi or bus to Kanyakumari.
Rail : Kanyakumari is well connected by train services with all the places in India. Superfast trains connect the southern most railhead of India with northern cities like Jammu and Delhi. Intercity trains are running from almost all the southern cities.
Road : Kanyakumari is connected by regular bus services with Chennai, Pondicherry, Bangalore, Trichy, Madurai, Mandapam (Rameshwaram), Nagercoil, Tuticorin, Tiruchendur, Tiruvelveli, Trivandrum, etc. Town bus service, tourist taxis and auto rickshaws are available.
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to relax and really enjoy your stay. Use our exclusive Corporate service apartments, Executive
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» Location : Tamil Nadu
» Historical Significance : Remained The Capital Of Pandayan Empire Till 14th Century.
» Main Attractions : Meenakshi Temple, Koodal Azhagar Temple, Thirumalai Nayak Mahal
» Festive Attractions : Meenakshi Kalyanam In April-May And The Teppam Festival
Tamilnadu Pilgrimage
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» Kanyakumari
» Madurai
» Mahabalipuram
» Rameshwaram
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Madurai or the "city of nectar" is the oldest and second largest city of Tamil Nadu. This city is located on Vaigai River and was the capital of Pandyan rulers till the 14th century. The Pandyan king, Kulasekhara had built a gorgeous temple around which he created a lotus shaped city. Mythology says when city was being named; Lord Shiva blessed the city and its people. On the auspicious occasion some Divine nectar ("Madhu") fell from the matted locks of Shiva and hence the city was named "Madhurapuri". This sacred town of south attracts thousands of pilgrims and visitors from India as well as abroad.
Madurai's Pilgrimage - Meenakshi Temple
The life of Madurai revolves around the Sri Meenakshi Sundareswarar temple. This magnificently carved temple is the main attraction of Madurai and its huge Gopurams towers over the city. Meenakshi temple has a thousand pillared 'Mandapam'. Precisely there are 985 pillars and each of them is delicately and exquisitely carved. Among these are the musical pillars, which produce music when tapped. Surprisingly, these musical pillars are carved out of a single granite rock. The temple has been a hub of Tamil culture and has been sponsoring literature, art, music, and dance in the region for a long time. The temple also has an art museum. The city apart from temple is crammed with shops, street markets and temples, pilgrims choultries, hotels and restaurants. Though Madurai is considered as pilgrimage but it has also developed as a business centre and is famed for its traditional handicrafts in bronze and brass.
Prime Attractions of Madurai
§ Meenakshi Amman Temple : An excellent example of Dravidian Architecture, the Meenakshi Temple attracts devotees from all over India and Tourist from all over the world. One can climb to the southern Gopuram of the temple to get a great view of the city.
§ Vandiyur Kanmoy Tourist Complex : This is an ideal picnic spot with TTDC providing boathouses restaurants services.
§ Vanditur Mariamman Teppakulam : This huge tank is covers an area equal to the six of Meenakshi temple. Tirumalai Nayak built it in 1646. It is said that channels from the Vaigai River connect the tank. Today, this tank remains empty for most of the year except during the Teppam Festival.
§ Thirumalai Nayak Mahal : This palace is an excellent example of Indo-Sarcenic architecture. It was built in 1523 AD and originally was four times larger than what it is today. The gardens, the defensive wall all have gone and what remains are the main entrance gate, the dancing hall and the main hall. Lord Napier renovated the palace in 1866-72 and later further restoration works were carried on. Today, the main attraction of the palace is light and sound show, which is based on the life of "Tirumalai Nayak" and "Silapathikaram".
§ Koodal Azhaar Temple : One of the most ancient temples in Madurai, Koodal Azhagar temple is dedicated to Lord Vishnu. In this temple he is seen in various postures sitting, standing, reclining one over the other. There are intricate woodcarvings in here, including one of Lord Rama's coronation.
§ Azhagar Koil : This temple is dedicated to Lord Vishnu and is located 18-km northeast of Madurai on a picturesque hilltop. The gold image of Azhagar travels for the Celestial marriage during the Chithirai festival.
§ Pazhamudhirsolai : On the same hills of Azhagar Koilthis is again one of the six abodes of Lord Subramanya.
§ The Gandhi Museum : The museum was initially the palace of Rani Mangammal. It gives a clear account of the history of Independence movement of India. This museum also tells some little known facts about Gandhiji but the real piece of Gandhi Memorabilia is the blood stained Dhoti, which he was wearing at the time of his assassination. The local government museum is also situated over here. The small bookshop offers plenty of reading material from Gandhiji's works.
§ Thirupparankundram : This is one of the abodes of Lord Sundareshwara, a rock cut temple carved out of a mountain, just 8-km from the city.
Fairs & Festival in Madurai
Most important festival of Madurai is the sacred wedding ceremony of Goddess Meenakshi and Lord Sundareshwar. This festival is held during March -April. During this festival the city displays a colourful and joyous mood. Images of the divine couple are taken around the city in a tastefully decorated chariot, amidst the presence of a huge gathering of devotees. The notes of Nadaswaram and drums further aggravate the festive ambience.
The annual float festival marks the images of Meenakshi and her consort floating on the Mariamman tank on an illuminated raft bedecked with flowers. As such there are festivals throughout the year in Madurai. All most 11 big annual festivals are celebrated in Madurai, which are spread through the year with exception of the monsoon months.
Places to stay in Madurai
Madurai has got a wide range of accommodation, varying from reasonable ones to luxurious that cater for the flocks of pilgrims and tourists. Most of the reasonable places to stay are located at Town Hall Road and West Perumal Maistry Street, not far from the railway station.
How to Get There
Air : Madurai has its own airport and there are flights, which connect the city with Chennai, Tiruchirappalli. The airline services have at least one flight daily from Madurai to Chennai. From there one can take flight to anywhere in India.
Rail : Madurai has one of the major railway junctions of South India. It is connected with the all the major tourist as well as religious places in Tamil Nadu. Though there are not many trains, which connect the city with major cities of India such as, Madurai is easily accessible from any part of the nation.
Road : There are good motorable roads, which connect this, second largest city of Tamil Nadu with other parts of the state as well as other places in India. Madurai has five bus stands, which cater to the needs of the people.
Regarding stay in delhi or service apartments in delhi
Are you visiting Delhi for a short trip or an extended stay and are looking for a comfortable
vacation with ultimate services and home stay away from home? Then at a Palm Greens
serviced apartments, you will have a living room to
relax or entertain, space to work and if your mood takes you, you can prepare a meal. Hotels are
great but a Fully furnished serviced apartments has much more for your service. With so much extra
space at a serviced apartments, you will have space
to relax and really enjoy your stay. Use our exclusive Corporate service apartments, Executive
serviced apartments for business trip or extended stay and Fully Furnished
service apartments for relocation or family
vacation in New Delhi.
Features:
Fully furnished, equipped and air-conditioned
service apartments.
Telephone, Internet Broadband connection.
Colored T.V.with 24 hrs. cable connection.
The kitchen has fridge, gas burner stove, toaster, water filter, microwave oven, electric kettle,
etc. All crockery, cutlery and glassware.
Palm Greens service apartments are best
suited for your stay at Luxurious service
apartments, and Budget service
apartments, in New Delhi.
For More Info contact@palgroups.com
Or visit us http://www.palgroups.com
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» Location : 58-Km From Chennai, Tamil Nadu
» Also Called : Mamallapuram, The City Of Bali
»Famous : Centre For Pallava Culture And Arts
» Important Festivals Celebrated : Dance Festival In The Month Of December
Tamilnadu Pilgrimage
» Kanchipuram
» Kanyakumari
» Madurai
» Mahabalipuram
» Rameshwaram
more South India Pilgrimage
About Mahabalipuram
The history of Mahabalipuram dates back to two thousand years, it contains nearly forty monuments of different types including an "open air bas relief" which is the largest in the world, for centuries it has been a centre of pilgrimage, it figures in the early annals of the British search for the picturesque in India in the 18th century, today it attracts shoals of foreigners in search of relaxation and sea bathing, and most strange of all, it has an atomic power plant for neighbour. A small library has been written on it. Over its history and that of its monuments a number of scholarly controversies rage.
Mahabalipuram was already a centre of pilgrimage when, in the 7th century Mamalla made it a seaport and began to make temples fashioned of rock. It was through Mahabalipuram that many Indian colonists, who included sages and artists, migrated to Southeast Asia. Sri Lanka's national chronicle, the "Mahavamsa" testifies to this fact.
Temple Town Of Tamil Nadu
Located at a distance of 58-km from Chennai, Mahabalipuram has everything that makes a site memorable; tradition, history, piety, western annals, and current importance as a centre of tourism.
Name Of The Site
The proper name of the site is "Mamallapuram", after Mamalla, an honorific of the Pallava king, Narasimha Varman I (630-668), who created the earliest of its monuments. But it is popularly called "Mahabalipuram", or "The city of Bali", whom Lord Vishnu chastised for his pride and of whom there is a relief in one of the excavated temples here.
Temples In Mahabalipuram
There are, or rather were, two low hills in Mahabalipuram, about 400m from the sea. In the larger one, on both sides, there are eleven excavated temples, called Mandapas, two "open air bas reliefs", one of which is unfinished, and a third enclosed one. Out of a big rock standing free nearby there is a "cut out" temple, called a "Ratha". This type is unique to Mahabalipuram.
Out of the other hill, much smaller and standing about 200m to the south, are fashioned five more rathas, and three big sculptures of a Nandi, a Loin and an Elephant. On the top of the bigger hill there is a structural temple, and a little distance the magnificent beginnings of a Vijayanagar Gopura and also survivals of what is believed to be a palace.
The Shore Temple
The Shore Temple occupies a most extraordinary site, by the very margin of the Bay of Bengal so that at high tide the waves sweep into it and the walls, with their sculptures, have been eroded by the winds and waves of thirteen centuries. The European name for Mahabalipuram, since the first western visitor wrote of it in the 16th century, is the "Seven Pagodas".
There are not seven temples here. The number has been made up fancifully and even whimsically. Some of the Europeans believed that the sea has overwhelmed a part of the town containing some temples. But, there is no sunken city in the waves off Mahabalipuram. The European name, "Seven Pagodas", is irrational and cannot be accounted for.
The Shrines In The Shore Temple
There are three shrines in the Shore Temple. That facing the sea and another facing west into the township are Saiva. The one between is Vaishnava, with an image of Lord Anantasayi made of live rock. There are Vimanas over the Saiva (also spelt as Shaiv or Shaiva) shrines, but none over the third; it seems to have disappeared with time. There are Somaskanda reliefs on the walls of the Saiva shrine. In front of the eastern shrine there is a stone dhvajastambha, frequently under the waves. The light that shone on it at night must have been the last sight of home for thousands of Pallava citizens immigrating to South East Asia.
The Dhvajastambha and the Balipitha, which normally stand in front of the main shrine, are here located to the west of the shrine. There was a Prakara here, with small Nandis on its walls. Some of the Nandis still stand on the survivals of the walls.
Till some decades ago parts of the temple were under sand. The sea is an ever-present danger. A semi-circular groyne wall has been built to the east. But what is notable is the fact that the temple has survived all these centuries. Built by Narasimha Varman II Rajasimha, the maker of the Kailasanatha temple in Kanchipuram in the 8th century, this is one of the earliest structural temples in Tamil Nadu.
Temple Of Sthalasayana Perumal
Immediately to the north of the bigger hill there is the temple of Sthalasayana Perumal, much enlarged in Vijayanagar times. By the very margin of the sea, with the waves often flowing at its foot, there is a magnificent fane with three shrines in an axial line, called the "Shore Temple".
To the west of the five Rathas there are three more rathas, two side by side. About 600 m north of Mahabalipuram, along the coast, is Saluvankuppam, where there are magnificent excavated temples and, near it, a rock Mandapa with tiger heads along its periphery, called the "Tigers Cave". Between Saluvankuppam and Mahabalipuram, less than 200m from the sea, stands another structural temple, the Mukunda Nayanar.
Each and every one of these monuments of different types, structural temple, excavated temple "cut out" temple, "open air bas relief", not to mention sculptures and Mandapas to be found here and there, is important and interesting. The Shore temple, the celebrated "open air bas relief" called "Arjuna's Penance", the Mahishamardhani and the Adivaraha "Cave" temples and the Five Rathas are the especial rewards of the visitor. All the monuments are Pallava except that the original Sthalasayana Perumal temple was expanded in Vijayanagar times. To the Chola days belongs a Mandapa at the entrance to the township.
The Depictions Of Arjuna's Penance
There have been strong differences of opinion among eminent scholars on what this scene depicts. An old view was that it represents Bhagiratha's penance. But the opinion that currently holds the field is that it depicts Arjuna's Penance. This "Mahabharatha" incident, also represented in both mural and relief in Lepakshi and a number of other sites, relates to Arjuna's obtaining a weapon to use in the impending war against the Kauravas.
Bharavi, the Sanskrit dramatist, who, it is believed, was living in Kanchipuram in the seventh century, when this masterpiece was made, has made it his theme in his "Kiratarjuniyam". The Pallava court in that century was a nest of singing birds. It is highly probable that it is this scene, which is depicted here. The main scene of action is on the southern face. Here an ascetic is performing severe penance, standing on one leg. Near him is Lord Shiva, with His attendants. Immediately below them there is a small shrine with a relief of Lord Vishnu inside. By its side are many seated sages in meditation.
The fissure indicates a river. This is clear from a fact and a suggestion. The fact, also strengthened by the presence of water serpents, is the depiction at the edge of the southern surface of some persons performing the rite of "Sandhya vandhana" by the river. The suggestion is that, in Pallava days, actual water flowed down the cleavage from the hill behind, where there are survivals of what would be called a water tank. The notion is similar to what is found in the Isurumuniya in Anuradhapura, the ancient capital of Sri Lanka.
On the northern face are some huge elephants, among the very best of their kind in the whole range of Indian sculptures. There is, besides, the hypocritical cat which, pretending to perform penance, draws to it a number of unfortunate unsuspecting rats. This is a touch of humour not very common in Indian art. There are, besides, the Lion, the Tiger, the Boar. In the upper part off the surface there are rows of semi-divine beings effortlessly flying, all towards the fissure. Close by is placed an engaging composition of a monkey picking out lice from the head of another. It was brought here from near the Mukunda Nayanar temple.
A little distance to the south there is an unfinished attempt at the depiction of the very same scene on another boulder. Probably the maker of the first bas-relief initially tried his hand here.
There is a third bas-relief, this time depicting Sri Krishna protecting the good people of Brindavan from Indra's wrath by interposing a mountain. This is a fine pastoral scene, which visitors to Mahabalipuram in the early centuries would have readily understood. Strangely enough, there are a few small sphinxes and gryphons at the edges of the huge composition. A Mandapa was built in Vijayanagar times in front of what originally was an open-air bas-relief.
Arjuna's Penance - An Open Air Bas Relief
If a temple by the sea and, at times, in the sea is a tour de force, the "open air bas relief" is even more so. In Mahabalipuram alone of all innumerable sites of monuments in India sculptor was impelled to choose a large cliff face on which to make his carvings. What is more, he chose a scene from the "Mahabharatha" (also spelt as Mahabharata), which a great Sanskrit dramatist, probably then living in Kanchipuram, had popularised.
This surface, 29m by 13m, consists of two large boulders with a fissure in between. In the cleavage there are a serpent god and a serpent goddess in the act of worship. Covering the surface on the boulders on either side of them there are nearly one hundred figures of Gods, sages semi-divine beings, huge elephants and a few other animals.
The Five Rathas - The Dharmaraja, The Bhima, The Arjuna, The Draupadi and The Sahadeva
The Five Rathas, about 200 m south of the main hill, were fashioned out of a smaller hill sloping down from the south. From the largest part was made the biggest of the five rathas, the Dharmaraja. Then followed onwards north, in the descending order of height, the Bhima, the Arjuna and the Draupadi.
A little to the west of Draupadi there was a comparatively large rock and out of it the Sahadeva Ratha was made. Immediately in front of the Draupadi again two smaller rocks were sculptured into an elephant and a lion. Behind the Draupadi and the Arjuna, which stand on a common base, there is a Nandi.
Not Exactly Temple Chariots!
These rathas (an irregular expression, for they are really Vimanas, and not temple chariots, as the word means) perpetuate the forms of the temple in use when they used to be made of perishable materials. A Pallava who must have been something of an art critic or art historian decided that these styles should be preserved in eternal rock. Outside Mahabalipuram except in Kazhugumalai (in Tirunelveli district), there is nothing like these rathas anywhere in India.
There are four rathas elsewhere in Mahabalipuram so that there are nine in all. Among themselves they represent four main styles: the apsidal, the barrel vaulted, the domical and the so-called "hut". The third was to dominate the future, with some modifications. The first two are comparatively rare and the last very much so.
The rathas with the domical sikhara are the Dharmaraja, the largest of them all; the Arjuna, a smaller version of the first, the Pidari and the two Valayankuttai, these three located elsewhere in Mahabalipuram. The Bhima Ratha and Ganesa Ratha, which is near the larger hill, are barrel vaulted, the Sahadeva is apsidal, and the Draupadi is "hut shaped".
There are some superb sculptures on the Dharmaraja and the Arjuna. The former contains splendid divine and secular portraits, with labels beside some of them. The later are certainly kings, but it is difficult to identify them. There are some lovely royal couples on the Arjuna. Again, it is impossible to say who they are. Nevertheless, these sculptures show how beautifully delicate and sensitive Pallava sculpture is, making it one of the great schools of Indian art.
The lion, Goddess Durga's mount, stands right in front of Her shrine, here called the "Draupadi". Just alongside the apsidal Sahadeva Ratha stands the elephant, also apsidal in shape. Such touches are frequent in Mahabalipuram. It is very probable that there was a school of sculpture here in ancient days. For, probationary and incomplete sculptural and architectural efforts are to be seen at every turn. An important point is that not a single monument in Mahabalipuram is quite complete.
Mahishamardhani and the Adivaraha Mandapas
Of the many excavated rock temples in Mahabalipuram anomalously called "Mandapas", two of the best are the Mahishamardhani and the Adivaraha. The former contains on walls facing each other two of the most superb sculptural reliefs known to Indian art, both connected with each other in their common scriptural source. The latter Mandapa has two groups of royal sculptures, also facing each other. Besides, it is the only temple in Mahabalipuram apart from the Sthalasayana Perumal, where worship continues today, but fitfully.
The Mahishamardhini temple has been excavated in a rock on the eastern side of the top of the hill. Right above it there is a structural temple, one of four of a lighthouse for decades until a new lighthouse was erected close by. Near the Mahishamardhani temple there is a smaller rock where an unfinished attempt at excavating a fane has been made.
There are three shrines in the Mahishamardhani Mandapa. A small Mandapa projects forward from the central shrine. On the northern and southern walls of the Ardhamandapa there are the great sculptural reliefs of Goddess Durga fighting the demon and of Lord Vishnu in His cosmic sleep. The incidents are from two consecutive cantos of the "Devi Mahatmyam". In the one relief the energy with which the young Goddess goes forth to war with the buffalo headed demon is in magnificent contrast with the cosmic sleep of Lord Vishnu on His serpent couch.
The royal groups in the Adivaraha temple are, in one, of a seated king with two queens flanking him and, in the other, of a standing king with two consorts standing by him. There are many opinions but it is generally thought that the seated monarch is Simhavishnu (574-600) and the standing one his son and successor, Mahendra I (600-630). There are, besides, reliefs of many divinities.
Fair & Festival at Mahabalipuram
Dance Festival at Mahabalipuram : The internationally acclaimed and globally renowned "Mahabalipuram Dance Festival" is organised by the Department of Tourism, Government of Tamil Nadu every year in Mahabalipuram - the renowned and ancient 7th century centre for Pallava culture and arts.
The Dance festival starts on the 25th of December every year and is conducted on all Saturdays and Government holidays, upto February first week. Dancers and musicians of repute from India and abroad thrill the crowds every year. Folk dances of India are an added attraction.
Sit before an open-air 'stage' created 13 centuries ago, the incredible monolithic rock sculptures of the Pallavas, next to the sea in this ancient city of Mahabalipuram. Lovers of dance will be treated to a very unique and unforgettably aesthet ic event: Bharathanatyam, Kuchipudi, Kathakali and Odissi, presented by the very best exponents of the art besides folk dances.
How to Get There
Air : Chennai (58-km) is the nearest airport with both domestic and international terminus. Chennai is connected with all the major places in India through the numerous domestic flights. International flights operate from various parts of the world to Chennai.
Rail : The nearest railway stations are Chengalpattu (29-km) and Chennai (58-km). From these stations one has to take road to reach the Mahabalipuram.
Road : Buses are available from Pondicherry, Kanchipuram, Chengalpattu and Chennai to Mahabalipuram daily. The road to Mahabalipuram is good. Tourists can also hire a taxi from Chennai.
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» Location : Island Of Rameshwaram, Tamil Nadu
» Deity Worshipped : Linga Of Sri Ranganatha
» Famous Tradition : A Pilgrimage To Kashi Is Not Considered Complete Without A Pilgrimage To Rameshwaram
» Significance : One Of The 12 Jyotirlingas Of India
Tamilnadu Pilgrimage
» Kanchipuram
» Kanyakumari
» Madurai
» Mahabalipuram
» Rameshwaram
more South India Pilgrimage
Rameshwaram (also spelt as Rameswaram) is a pilgrimage centre of nationwide importance, as Rama is said to have worshipped Shiva here on his way back from SriLanka. The temple is in the island of Rameshwaram, the Banares of the South, connected to the mainland by a bridge. The deity here constitutes one of the 12 Jyotirlingas of India.
The Sacred Pilgrimage To Rameshwaram
A pilgrimage to Rameshwaram is among the important injunctions laid on the Hindu from time immemorial. The great temple of Sri Ramanatha is connected by tradition with Kashi. A pilgrimage to Kashi is not considered complete without a pilgrimage to Rameshwaram. In olden days groups of pilgrims, many of them quite old, walked huge distances to the two temples, taking months and years, and some failing to survive the rigours and dangers of such incredibly long journeys. Men and women knew this cost might be exacted of them, but they repaid it cheerfully.
The Rameshwaram pilgrimage has long been a tradition in South India, particularly in Tamil Nadu, and has passed into folklore. Many kings of old prided themselves on having planted columns of victory in Rameshwaram-Krishna III the Rashtrakuta, in the 10th century; the Hoysala, Vishnuvardhana, in the 12th century.
Everything in and near Rameshwaram is traditionally connected with incidents in the "Ramayana". The Kashi pilgrimage is considered complete not only after worship in the Sri Ramanatha temple but also after a bath in Dhanushkodi, a tip of the island where the Bay of Bengal, called the "Mahodadhi" in ancient times, joins the Indian Ocean, or Ratnakaram, its beautiful old name "Dhanushkodi", in Tamil the "end of the bow", takes its name from a tradition that Sri Rama, at the request of Vibishana, his friend, destroyed the bridge to Sri Lanka with the end of His bow. Dhanushkodi was affected in a cyclone a few years ago.
The Great Temple Of Sri Ramanatha
The temple of Sri Ramanatha, which has over the centuries grown into its present gigantic dimensions, stands on the eastern shore of an island, which is shaped like a conch, which Lord Vishnu bears in one of His hands. No field is ploughed or oil presses any where in the island. A magnificent railway bridge, over a kilometre long and constructed at the beginning of the twentieth century, connects it with the mainland.
To help the pilgrims walking incredible distances, philanthropists used to construct rest houses at intervals along the way. The last of them before Rameshwaram was Thangachimadam, a few kilometres away on the island. Modern means of transport have made these rest houses superfluous. But in their time they were most useful, even vital. The Sethupathis of Ramanathapuram, of which the district Rameshwaram is an administrative part, were called the "guardians of the Sethu", the bridge which, according to tradition, was built for Sri Rama to cross over into Sri Lanka when He set out to recover Sita.
About The Temple
Since it was Sri Rama Himself who, in time honoured tradition, built the temple, it is held in particular reverence. After killing Ravana, He returned to India and, in Rameshwaram, offered worship to Lord Shiva to expiate the sin incurred in destroying him. Intending to set up a Linga, He directed Hanuman to bring one from Kailasa within a certain time. Hanuman was delayed. Meanwhile, the propitious hour for the installation having arrived, Sita Herself prepared one of sand, and offered it worship. This is the Linga of Sri Ramanatha in the temple.
When Hanuman returned with a Linga, He found that it was too late. He was angry and attempted to uproot the Ramalinga. But He failed. To pacify Him Sri Rama directed that his Linga, the "Visvalinga", should also be set up and that worship should first be offered to it. This is the second Linga under worship in the temple.
Shrines Within The Temple
In the principal sanctum there is the Linga of Sri Ranganatha. This is the one, which Sita made and Sri Rama sanctified. There is much delicate artistry in many parts of the sanctum. The Vimana, of three storeys, contains images of Hanuman, the Gandhamadhana Linga, and the Agastya Linga. The Linga of Visvanatha (also spelt as Vishvanatha), which Hanuman brought, is enshrined in another sanctum to the north. Worship is offered to it first.
In yet another shrine there is an image of Visalakshi, the Consort of Visvanatha, Ramanatha's Consort, Parvathavardhani, is enshrined in a sanctum to the right of His. Usually, in Shiva temples, the Goddess is enshrined to the left of the Lord. But here, as in Madurai, this location has not been followed.
Behind the Sri Ramanatha shrine, and between the second and third prakaras, there is a sanctum for Lord Vishnu as "Sethumadhava". Strictly speaking, the name should be "Svetha Madhava". The first word is Sanskrit for "white". The name derives from the fact that the image is of white marble.
Thirthas Within The Temple
There are no less than twenty-two "thirthas" (also spelt as Teertha or Tirtha), or bathing places, mainly within, but a few also outside, the temple. According to time-honoured tradition, the pilgrim bathes first in Agni Tirtha (also spelt Theertham), as the sea to the east of the temple is called (nearby there is a Shankara Matha), and finally in the Kodi tirtha, which is within the temple. The importance of bathing in these "thirthas" derives from the tradition that Sri Krishna Himself did so.
Temple Architecture
The temple 264m east to west and 200m north to south, and with three Prakaras, two big Gopuras and two more unfinished ones, faces east, a few metres from the sea. It contains two Lingas under worship. There are innumerable other shrines and twenty-two "Tirthas" (also spelt as Teerthas), or sacred bathing places.
At the main eastern entrance stands a huge Gopura of nine storeys and 38.4m high. The outermost, or third, corridor, 196m long and 120.4 wide, is one of the achievements of the Hindu artist down the ages. There are about four thousand pillars, each 3.7m high. All are located on a platform 1.5m high. They look like an orderly, petrified forest.
What is truly remarkable, apart from the sheer artistry of it which has so magnificently conquered problems of proportions, height and such like, is that all these stones must have been transported here over long distances and across the sea by a causeway. In Nayak times there was a kind of ford. How the huge stones could have been carried across a turbulent sea is a question the answer to which proves that old Indian engineers were quite advanced in technology.
A huge Nandi, 6.7m long and 5m high, stands beyond the second Prakara. It is made of 'Sudai', a material used for sculptures on Gopuras. On either side of it there are portraits of two of the Nayaks, Visvanatha and Krishnappa.
The western Gopura is smaller than the eastern, but still impressive, being 24m high. On the northern and southern sides there are unfinished Gopuras.
An Interesting Story Is Told Of The Origin Of The Shrine
A Pandya of Madurai, Punyanadhi, once came to Rameshwaram on pilgrimage and performed a sacrifice to propitiate Lord Vishnu. The Lord, in order to test his faith, sent Goddess Lakshmi as an orphan girl.
The Pandya, having no daughter of his own, adopted her and lavished affection on her. One day Lord Vishnu, in the guise of an old ascetic, made his way into her apartment. When the king heard of this, he loaded him with chains and had him imprisoned in the Rameshwaram temple. That night he dreamt that the old man appeared as Lord Vishnu and the girl as Goddess Lakshmi. When he went to the princess apartment, he saw the same sight. On coming to the Rameshwaram temple, he found an image of Vishnu in shackles. Then he realised the enormity of what he had done. But the Lord consoled him and said that He, with Goddess Lakshmi would remain in the temple in shackles. The tradition is that he who bathes in a tank near the shrine and offers worship in that shrine will receive all the benefits of the Kashi pilgrimage.
Sacred sites outside the Temple
§ Sethu : 5-km south of the temple is Sethu, where there is a celebrated temple of Sri Anjaneya, and where, tradition holds, Sri Rama built a bridge to Sri Lanka. In Devipatnam, or Navapashanam, also by the sea, there are nine stones visible at low tide. It is believed that they were set up by Sri Rama to represent the nine planets, the Navagrahas.
§ Gandamadhana Parvata : Outside the temple, on the island, there are a few sites also held sacred. About 2.5-km west of the temple, on a hillock, stands the Gandamadhana Parvata. In this Mandapa footprints of Sri Rama are enshrined. From the top of the Mandapa there is a fine view of parts of the island. 8-km from the temple, on the way to Dhanushkodi, there is a beautiful temple of Sri Kodandarama where, tradition says, Vibishana was crowned when he joined Sri Rama.
§ Uttarakosamangai : 16-km southwest of Ramanathapuram stands the renowed Shiva temple of Uttarakosamangai. Manikkavachagar has sung of it. The Lord is Mangaleshvara and the Goddess Mangalesvari. The temple has inspired many Tamil works of devotion. So, of course, has the Ramanatha temple in Rameshwaram.
To the making, expansion and preservation of these and many other temples in the district, the Setupathis of Ramanathapuram contributed magnificiently. Originally a ruling power in these parts, they were made zamindars by the British. The Sethupathi's proud boast was that he was the guardian of the Sethu. The family is closely connected with the temples in Rameshwaram, Tiruppullani, and Uttarakosamangai.
§ Tiruppullani : Outside the island, there are three other sites traditionally connected with Sri Rama's expedition to Sri Lanka. A big temple in Tiruppullani commemorates the tradition that there the Lord obtained a bow and arrows to use in the impending war from its presiding Deity and also that the Lord of the Ocean who had refused to help Him finally submitted.
Places to stay in Rameshwaram
Accommodation is available at the moderate and economy class hotels, devasthanam cottages and choultries in Rameshwaram.
How to Get There
Air : The nearest airport is at Madurai, at a distance of 154-km.
Rail : Rameshwaram is well connected by trains from all the major cities of India.
Road : State transport buses are available from the railway station to the various places in and around Rameshwaram. For local transportation taxis, auto-rickshaws, cycle-rickshaws and tongas are available. Also city bus service is available in the island.
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» Location : Mangalore, Karnataka
» Historical Significance : Sanctum of Madavacharya
» Nearby Attraction : Malpe, Kollur, Manipal
About 60 kms from Mangalore is a fairly large and upcoming town that was the sanctum of Madavacharya, the great Sanskrit Philosopher.
Places of Interest
The famous temple at Udupi has a fascinating idol of Lord Krishna that is richly adorned with jewels. The main attraction of the temple is the Kanakana Kindi, a small window through which Krishna is believed to have given darshan to his ardent devotee, Kanakadasa.
Around Udupi
§ Maravanthe : A drive up north along the coastal road to Maravanthe, 50 kms from Udupi, is the sandy Maravanthe beach. The endless stretch of golden sand, swaying palm trees, clear blue sky and the gush of the sea attracts a large number of tourists to this spot.
§ Kollur : About 80 kms from Udupi is the tiny hamlet of Kollur.
§ Malpe : About 6 kms Udupi is Malpe. St. Mary's island another delightful get away spot right across Malpe is only a boat ride away.
§ Manipal : 3 kms from Udupi, is a centre of modern learning with well known medical and engineering colleges. MGM college here has an institute of Yakshgana a unique dance drama indigenous to the two districts.
Your visit to Dakshina Kannada is incomplete if you haven't witnessed a Yakshagana performance. It's an all-night event with gorgeous consumes elaborate make-up, quick movments, beating of drums, narrating song with feelings by the Bhagavatar...... the total effect is spell binding.
Academy of Music and Arts is an interesting venue, housing the Hortera Shilpa Art work .
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The kitchen has fridge, gas burner stove, toaster, water filter, microwave oven, electric kettle,
etc. All crockery, cutlery and glassware.
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